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・ Jane Duncan
・ Jane Duncan (academic)
・ Jane Duncan (architect)
・ Jane Duran
・ Jane Dutton
・ Jane Dyer
・ Jane E. Bartlett
・ Jane E. Buikstra
・ Jane E. Clarke
・ Jane E. Henney
・ Jane E. Norton
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・ Jane E. Putnam Memorial Chapel
・ Jane E. Ryan
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Jane Eaglen
・ Jane Earl
・ Jane Earll
・ Jane Eaton Hamilton
・ Jane Eberle
・ Jane Edna Hunter
・ Jane Egan
・ Jane Eisner
・ Jane El-Dahr
・ Jane Elith
・ Jane Elizabeth Harris
・ Jane Elizabeth Hodgson
・ Jane Elizabeth Leslie, 12th Countess of Rothes
・ Jane Elizabeth Manning James
・ Jane Elizabeth Waterston


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Jane Eaglen : ウィキペディア英語版
Jane Eaglen


Jane Eaglen (born 4 April 1960) is an English dramatic soprano particularly known for her interpretations of the works of Richard Wagner and the title roles in Bellini's ''Norma'' and Puccini's ''Turandot''.
==Background==
Jane Eaglen was born 4 April 1960 in Lincoln. A neighbour noticed Eaglen's musical interest, and she started piano lessons at the age of five, continuing until she was sixteen. Her piano teacher then suggested she take singing lessons, and for a year she studied with a local teacher. "One day you will sing Norma and Brünnhilde", her teacher told her to which Jane asked "Are they good?" "Yeah, yeah", her teacher replied, "they're pretty good".
After having been turned down by the Guildhall School in London, Jane auditioned at age eighteen for Joseph Ward, the voice professor at the Royal Northern College of Music in Manchester. Ward recognized her potential, and took Eaglen on as a student. Within weeks Ward had directed her toward the roles such as Norma and Brünnhilde.
In 1984 she joined the English National Opera, and spent a couple of years singing the First Lady in Mozart's ''Die Zauberflöte'' and Berta, the servant in Rossini's ''Il barbiere di Siviglia''. Other roles included Leonora in Verdi's ''Il Trovatore''. When she was cast as Santuzza in Mascagni's ''Cavalleria Rusticana'', audiences went wild.
Eaglen broke into the major opera scene when she was cast as Donna Anna in Mozart's ''Don Giovanni'' at the Scottish Opera. She went on to sing Brünnhilde and the title roles in ''Tosca'' and ''Norma'' with that company. She made her American debut as Norma in 1994 with Seattle Opera as a last-minute replacement for Carol Vaness, and followed, two weeks later with Brünnhilde at Opera Pacific, a last-minute replacement for (Ealynn Voss. ) Her first Isolde came in 1998 with the Seattle Opera, a company she has returned to consistently. She repeated the role in 1999 in Chicago and in 2000 at the Metropolitan Opera.

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